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KK3wherein bullet is a
charm to ward off bullet
towards
bullets that cry equilibrium
from the entrance to the eardrum,

a titanous crumb
of ever-dwelling swelling of
despise and dispositon and
divination of blah-blah-

black sheeps as a new flock,
the new class,
that mocks
the late whitewash of humble wool-a
tool
dictating a dominant, domino of disorder for
disorder from
empty angst of scalp beneath the
scalp that sculpts the cluster
of plaster of
contexts contained
in empty
protests that detest-a chalice of
rebellious rubbish,
amidst,
subverting true mist and
meteor of majestic mayhem.

KK2cuisine, your sin,
my sin, tangent trampoline to the eye, to the I,
merry-go-round of gusts
of disgust-
ing
the very head that beheads beheaders
the lips, the scorching whip of insults, internal cult that insults
and preys,
now pray,
lay down the crowns of thorns,.
the
crown of thorns
is the new hairdo.
there is no law but the law of assumed flaws;
stopping-over to the corners of circles.
then resumes,
as it lurks upon ponds, upon murk that
unconsciously flirts the birth of its geyser and berserk,
the minister of zenith-nadir modus. .
boon and bonus;
here they come,
here they are.
rip open the jackass-in-the-box and

KK4but it can't be helped to ignore
ignorance
and simply adore in ardor a nest of condors
on a perch,
on the verge
of flying through first lips
of cumulus water.
now ponder-

predict his rise,
predict his fall
either way, a moustrap pleads and
pleads more,
now breed

more,
of the infestation and harsh songs,
tralalala and tragedy just the
way
we like it.
so be it. does it make sense? a verse of versus
between two saviours.
we do intend to envy vigor and victor and harvest, in response,
sour grapes.that drapes
difficulty
over the sperm of Trophies
as we made it so.

KK1jeopardize the jolt of jaunt
and joy,
a hole, juxtaposed to the summit of a
mirror,
paragraphs and paradox of
a conceptual irony as adamant as iron
welded to a well-

-come destruction with
destruction,
recited reconstruction
at its inverted innuendo. inverted chalice to
spill the truth, spill the lice,
and/or the blood
of words that bleed words that bleed words that bleed.

words
of

antagonism towards the antagonist.

/glory to no one,
glory to all/
.
anti-allelluia through the heart of gauge inside the rythmic
tide
of authentic ribcage that hymns the heart of gauge inside the rythmic
tide
that confides:

"th

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Submitted: September 18, 2006
Image Size: 544 KB
Resolution: 700×609

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Comments: 31
Favourites: 43 [who?]
Views: 1,546 (0 today)
Downloads: 16 (0 today)

Camera Data

Make:EASTMAN KODAK COMPANY
Model:KODAK C330 ZOOM DIGITAL CAMERA
Shutter Speed:1/8 second
Aperture:F/2.7
Focal Length:6 mm
ISO Speed:160
Date Taken:Jan 1, 2005, 9:51:21 PM

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Airport Hour - Sundoby ~t-a-d

Digital Art / Other / Landscapes & Scenery

©2006-2013 ~t-a-d

emotionsrevolving
bittersweetinvolvings

paradisicblisscape on cardboard

(all aboard)
as they do
we''ll wait into

tulip terminal

swim in cinnamon water
hail all cries and laughter...

~~love 0 0~~

~~joy 0 0~~

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~~neutral 0 0~~

!winktothanatos Apr 4, 2007

this is beautiful!!!

Reply

~t-a-d Apr 10, 2007

plain straight, thank you very much!

Reply

!winktothanatos Apr 10, 2007

your very welcome

Reply

~eliastucker Mar 20, 2007

Wonderful colors and concept with an equally beautifully prose

I agree about the font but who cares...Great!

Reply

~t-a-d Mar 22, 2007

yeah,
thanks men!

Reply

~eliastucker Mar 20, 2007

Wonderful colors and concept with an equally beautifully prose

I agree about the font but who cares...Great!

Reply

~abelardomarco Jan 16, 2007 Hobbyist General Artist

oy taddy paramdam ka nman!

paturo ng textures!

Reply

~t-a-d Jan 18, 2007

hehe, halohalo yan

varnish+fixatives(gloss/matte)+oil mostly,
tapos iniihian ko

nyehe, joks!

karamihan dyan trial and error. tsamba-tsambahan lang.

sendan kita ng note, hintay ka lang.

Reply

~abelardomarco Jan 18, 2007 Hobbyist General Artist

cgecge. hintayin ko yan kapatid

Reply

~jolim Dec 18, 2006

steg! digital art pala to! galeng ng textures! fav!

Reply

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